![]() ![]() However, in the last two decades, new mass movements of Christian evangelism and Pentecostalism have emerged, successfully exhorting their members to reject masquerade as a pagan practice. Innovation and change in terms of iconography, ritual, and dramatic presentation have always been important components to these performances, as well as flexible adaptations and responses to changing social circumstances (Figs. Masked performances organized by male associations are a distinctive feature of public performance among Igbo-speaking peoples of southeastern Nigeria (Jones 1984, Cole and Aniakor 1984) and have been the subject of attention by African art historians in the twentieth century (Ottenberg 1975, Aniakor 1978, Ugonna 1984, Henderson and Umunna 1988, Bentor 1995).
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